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Sonata Bass

by julian Broadhurst

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1.
Sonata Bass - Rh 214 - 1st Mvt. 08:39
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Sonata Bass - Music for Strings Electronics and Percussion, MSEP . my album.
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Sonata Bass - Rh 214 - 2nd Mvt. 05:49
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Sonata Bass - Rh 214 - 3rd Mvt. 07:17
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Sonata Bass - Rh 214 - 4th Mvt. 13:47
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5.
The Logic and the Apple - Rh 215 38:37
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about

Sonata Bass - Music for Strings Electronics and Percussion. MSEP 10 - my 49th album. Two works from the same sessions - for Bowed Bass in four movements and in one. Two very different works.

Sonata Bass - Rh 214.

I would say a very open work, akin to a Sonata as display piece for an instrument, in gesture and harmonics.

The Logic and the apple - Rh 215.

A tightly knit closed world - keeping its secrets seamless.

'Deeply impressed by this evocative movement' - Martin Gaughan - British Contemporary Composer - June 2015


An early reorganization of my music research interests had defined my music into dedicated sets of Albums. This way things of a kin got heard together - as one type of album or another - by Genre - or Tranche as I styled them. In this Case Music for Strings, Electronics and Percussion or MSEP - basically Electro acoustic music with Orchestral Instruments. By Convention MSEP.

Beginning as a percussionist my first 7 albums are for Drums of various kinds, Drum music or Dm, my first area of research interest or Tranche. I soon realised there was a second area of percussion, as a generality over a specialism - percussion on anything other than Drums, MPm. The third of five was the Phase music, realised by tape looping and timing, Phm. The fourth, a genre of Electro Acoustic composition, Music for Strings, Electronics and Percussion. Last of the five is Electronic music - Music taking the longest processing detour from an original acoustic source.

Albums number 28 to 58 form my second big publishing project or Group - the 'New Horizon' - built on the foundational 'Blue Cherry' Group - where I had introduced my 5 areas of research interest, as Blocks of dedicated albums. Now in a new air I felt free to just reel them of as they came. Exploring like a man with a Time machine - where these five Genres, or Tranches, might lead me.

There are 10 MSEP albums in the New Horizon Group, MSEP 4 - 13. MSEP 4 ‘Particulate’ – the first three pieces in in my Nono Series - after a single fragment from Nono. MSEP 5 ‘Klavierstuck 1- 3,’ begin the other big series in the Group – the Integral Percussion Series - coupled then with another Nono piece. MSEP 6 ‘Counting’ is a sister album to MSEP 2 ‘Count-out.’ MSEP 7 ‘Nonoquinox’ [pronounced No No[K] Qi-nox presents two severe settings of the Nono fragment for strings - the Trio e Nono and Nonoquinox. MSEP 8 ‘Very Quiet Music’ is ‘a music that for the most part would be as quiet as possible, a Very Quiet Music but . . .’ MSEP 9 ‘Uranic Phase’ – is music for bowed Electric Bass and Electronics. MSEP 10 ‘Sonatabass’ - a display piece in four movements, coupled with ‘The Logic and the Apple – both for Bowed Bass. MSEP 11 ‘Sonata for Prepared Piano’ has four pieces ending with the Sn for Piano prep. MSEP 12 ‘Algorim’ has two works for Marimba and one for Electronic Cello – ending the Integral Percussion Series. Lastly MSEP 13 ‘Turing’ with two pieces in my Nono Series – Particulate five and Turing Boogie Woogie.

The DCM album numbers list volumes in a [for the most part] chronological edition - the ‘DCM Broadhurst Edition’ - Prepared for the British Library in 2019. The volumes or albums themselves were actually released as and when it was possible. The Edition though, was planed from the start to stand on the 'foundation Stone' of the Blue Cherry group.

The Rh catalogue, numbers my individual works in order of Completion.

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released April 29, 2013

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julian Broadhurst Derby, UK

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